Note: there are some cuts made to the theatrical release of 'Soppana Sundari' in the UK to suit the family audience. The name for SG Charles’s film ‘Soppana Sundari’ hails from the 1989 film ‘Karakattakkaran,’ a film with a densely packed and iconic comedy track. Borrowing its title from a titan of Tamil comedy, ‘Soppana Sundari’ has a sizeable reputation to live up to. Unfortunately, the film flounders. We follow Agalya, played by Aishwarya Rajesh, the winner of a brand new car from a prize draw. Her family, composed of her mute older sister, stroke afflicted father and naive mother, rejoice...
TW: distressing scenes Since his debut with 2007’s ‘Polladhavan,’ Vetrimaaran has been steadily improving his filmic craft, which cannot be said about many of his peers. His films place equal importance to maintaining artistic integrity and showcasing social injustices, resulting in some of the best films of the 21st century. His latest film, ‘Viduthalai,’ continues the director’s impressive streak. Viduthalai is the first half of a two-part film. The film depicts the frictions between a revolutionary group called the ‘People’s Army,’ led by Vijay Sethupathi’s Vaathiyar Perumal, against the...
Perhaps it is due to the subpar content being dished out by the star vehicles of Tamil cinema in recent times, but Obeli N. Krishna’s ‘Pathu Thala’ was surprisingly palatable. Starting out as an associate director to Gautham Vasudev Menon in the early part of his career, Krishna’s directorial debut, 2006’s ‘Sillunu Oru Kadhal,’ was mostly remembered for its great soundtrack and the buzz behind its real life lead pair. His latest offering strays from the romance genre, instead opting for a tried and tested masala gangster story. The film is a remake of the 2017 Kannada film ‘Mufti.’
I will begin this piece with a confession. In times of emotional distress and crisis, I often watch YouTube clips of the 1991 film ‘Thalapathi’, a film which is a modern retelling of one of my favourite character arcs in all of literature: Karnan from the Hindu epic, ‘The Mahabharatham.’ It has become a ritual to cathartically cleanse my tear ducts more often than I would like to admit. So when I read ‘Song of the Sun God’, where the character Nala watches the 1964 film ‘Karnan’ seven times in the cinema to vicariously alleviate her emotional pains, I felt exposed from such a specific level...
Following N Kalyanakrishnan’s debut with 2015’s ‘Bhooloham,’ Jayam Ravi joins hands with the director once again for ‘Agilan.’ ‘Bhooloham’ was not particularly well received by critics or the audience, therefore one cannot help but wonder what drew Ravi back to Kalyanakrishnan. Perhaps it was because on paper the film has an interesting premise: an exploration of the world of smuggling in shipping. However, due to failures in almost every department, ‘Agilan’ leaves a lot to be desired. The titular protagonist Agilan is a crane operator at a Chennai harbour, who participates in illegal...
Overall, ‘Nanpakal Nerathu Mayakkam’ is a film about duality: both a wonderful slice of life film and a philosophical work of magical realism. Equally importantly, it is a masterful display of fantastic filmmaking, both simple and brilliant.
Despite a decent core concept, ‘Vaathi’ fails to land due to its contradictory internal thought process. If writer/director Venky Atluri had thought through the lesson he wished to teach, he would have understood that the standard formulaic ‘masala’ treatment would not work.
The style of the film outweighs the substance by a large margin. Despite the director’s incessant references to Hemingway novels, Bruce Lee films and Michelangelo’s The Creation of Adam, the film is outclassed by them all. When almost all the departments of a film fail miserably, there is only one person to blame - the director. ‘Michael’ crumbles under its own lofty ambitions, a hollow shell of a film which dissipates upon any scrutiny.
Overall, the core concept of ‘Raangi’ could have made for an enthralling and morally conflicting drama. Instead, Saravanan botches the delivery and presents a sloppy shell of a great film.
‘Varisu’ is mostly successful in what it wants to be: a wave of nostalgia for Vijay fans and a safe ‘masala’ film. It can be enjoyed with the family, and Vijay has certainly played his cards well to ensure Pongal success.